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“Layer Cake” is of that increasingly approved film genre that goes by the loose title of British gangsterism. “Lock, Stock and Two Smoking Barrels” comes to mind although this film is more a sad comedy than “Layer Cake” which strives to remain accurate to its roots.
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The essence of the film is that the lead character, XXXX, played by Daniel Craig is trying to retire from the drug trade. He’s had enough, is now comfortably well off and has played the game carefully and by the rules, to the extent that rules exist. However, his retirement is postponed as he is drawn into an ever more complex web of intrigue and double crossing. He finds himself being exposed to greater risk that he would normally net. He is forced to operate outside his comfort zone.
The film is well placed and totally entrancing as the viewer is gradually sucked in to this nether world of crime. His cohorts seem quite believable as do the lords of the game and the murky Bosnian mafia that lurks as a background threat. The plotting is complex and the deals always tense with gargantuan stakes being played. The film has “street cred”.
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The film’s ending is unexpected. I will say no more as I don’t want to spoil it for others. Perhaps the best thunder is simply to perceive it!
Even though his name is never revealed during the course of the British crime thriller, “Layer Cake,” we procure to know the hero very well, very rapidly.
“I’m not a gangster,” he explains. “I’m a businessman whose commodity happens to be cocaine.”
This guy, identified as XXXX in the kill credits, deals only in neatly wrapped kilos; he employs a bright chemist, a slick accountant and a right posse of heavies; he has a legitimate business on the side and he tools around London in a sleek silver Audi (area wagon) .
And while he might be a “T-shirt and jeans” kind of guy, he sports very expensive-looking T-shirts and jeans.
Of course, the only reason crime thrillers stress the professionalism of their main characters is so we can leer as circumstances eventually force them to wreck their hold rules and pay a stiff impress.
Those circumstances appear in the invent of Jimmy (Kenneth Cranham) a grumpy upper-level gangster who summons XXXX and demands two sketchy favors of him. XXXX complies and posthaste finds himself up to his earlobes in thugs, mols, Serbian assassins and the kind of bottom-feeders he likes to shun.
“Layer Cake” was directed by Matthew Vaughn, who previously produced Guy Ritchie’s “Lock, Stock and Two Smoking Barrels” and “Snatch.” All three movies have a lot in approved but Ritchie’s amped-up films bounce off the walls and onto the ceiling; Vaughn’s is colder and more calculating – to employ a Brit pop analogy, if Ritchie’s movies are akin to the strutting, pub brawlers Oasis, Vaughn’s is the orchestral-but-grooving The Verve.
Eventually, though, the site becomes ridiculously complicated. While it is possible to earn sense of all the scams and double-crosses, the movie is a lot more titillating when it focuses on characters instead of twists and coincidences and two particularly exaggerated violent beatings. By the last act, the movie is impartial chasing its bear tail… and yet, somehow, it’s a hard movie to despise.
Despite its unpleasant title (a euphemism for the gangster hierarchy) but it oozes cool: XXXX is played by Daniel Craig who could almost be a gaunt, slightly freeze-dried Steve McQueen circa “Bullitt” ; the grand Michael Gambon shows up as a phlegmatic, aging tiger of a mob boss; Sienna Miller wanders through long enough to model lingerie to the Stones’ “Gimme Shelter” ; and though this is his first film, Vaughn really knows how to depart a fable along with style.
If he can sustain the state from overwhelming the characters next time around, he might turn out to be a really sterling director.
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