lorie2088281

Saturday Night Fever Streaming

lorie2088281 — Sun, 21 Mar 2010 00:11:39 +0000

Saturday Night Fever Streaming.

Movie Title: Saturday Night Fever
Average customer review:

Saturday Night Fever is available for streaming or downloading.

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This 30th anniversary special edition might have been re-thought when John Travolta decided NOT to be in the documentary. There have been Great better retrospectives on TV . The slight allotment on the Music which DOES feature modern interviews with Barry and Robin Gibb…is okay but sizable time redundant…and the Slack THE MUSIC on VH1 which was keep in excerpt in the 25th Anniversary Edition would have been Great better than all the useless junk on this edition. This was an critical ( I know that is an overused word) movie for my generation …with large themes of growing up, friendship, career, family,and fascinating out…among others..and the special features of this edition slit it all down to clothes and dance steps…THOSE THINGS didn’t beget this movie indispensable…they missed the boat entirely.

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John Travolta is NOT in the bonus features? Oscar nominated for his performance….he’s missing from this “special” edition..and for my money..if he’s not participating …WHY create it? and if I’d known he wasn’t in this I would not have wasted my money…the 25th Anniversay Edition is frankly…great BETTER!

instead of the DELETED Scenes on the 25th Anniversary Edition we collect dance lessons? YIIIKES this stuff stinks!

the 25th Anniversary Edition

commentary, a very very sterling half hour slack the music documentary with titillating interviews and Travolta plus never before seen rehearsal footage, deleted scenes

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the 30th Anniversary Edition

commentary…no gradual the music, no deleted scenes , no Travolta.

no method!!

Unfairly dismissed by many viewers today as a relic of the disco era, “Saturday Night Fever” should more properly be remembered as the classic coming-of-age epic in which John Travolta exploded onto the stout hide. The actor’s character, Tony Manero, is a nineteen-year-old Italian-American mild living with his family in Brooklyn who is stuck in a dead-end job and hanging around with a group of weak friends who (like himself) have no valid hopes or ambitions for the future. Manero’s only just talent – and his run from the world around him – is his prowess on the dance floor. It’s a tricky role – the outwardly racist, sexist, homophobic, immature Manero is not the most sympathetic of characters – but Travolta imbues him with a aura of underlying decency and vulnerability that causes the audience to identify with him and ultimately, cheer for him. It’s truly a knockout performance … one that deservedly netted Travolta an Oscar nomination for Best Actor and won him the top male acting award from the National Board of Review.

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The 25th Anniversary edition DVD offers home viewers a astronomical video and sound transfer. A VH-1 “Unhurried the Music” documentary offers an spirited peek at the fearful production history of the film, as well as some animated insights into the movie’s impact on approved culture. Regrettably, the disc does not include the Modern Theatrical Trailer; I found myself bewitching to ogle how the distributor (Paramount) promoted this film to theatregoers. This one minor flaw aside, the DVD offers a solid presentation of this 1977 classic, and is a video salubrious of repeated viewings. Relish!
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Stream Icons of Screwball Comedy, Vol. 2 Movie Online

lorie2088281 — Sat, 20 Mar 2010 22:26:03 +0000

Stream Icons of Screwball Comedy, Vol. 2 Movie Online.

Product: Icons of Screwball Comedy, Vol. 2
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Sony has been the only company doing mighty in terms of commercial releases of classic film lately. Warner and Fox have announced and released very exiguous compared to their spacious activity of the last few years.

Like volume one, this state contains four films on two discs:

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Theodora Goes Wild (1936) – Irene Dunne is portion of the leading family in a small-minded diminutive town. She is also the author of a consuming bestseller under an assumed name. Melvyn Douglas is a book jacket illustrator who figures out who the author is and assumes Theodora wants to be liberated from her dinky town existence. Probably the best film in this spot.

Together Again (1944) Irene Dunne is a Vermont widow who goes to Fresh York to interview a sculptor, played by Charles Boyer. When she returns to Vermont she is surprised to stare Boyer again when he decides to go into her garage to do his sculpting. Charles Coburn costars as Dunne’s confused father-in-law. A hard-to-find and silly film.

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The Doctor Takes a Wife (1940) Loretta Young plays the feminist author of books on the joy of being a single woman. Ray Milland is a college professor whose career advancement is injure by the fact that he is unmarried. When the two are inaccurate as a married couple they settle to let the farce continue since it benefits both of them individually. A very generous film and rarely seen.

A Night to Remember (1943) – Loretta Young plays the wife of a novelist. She rents a black apartment in Greenwich Village hoping it will provide the atmosphere her husband needs to write his next unique. Instead, a body turns up in their apartment. Not as edifying as the other films, but noble enough.

I derive the impression that we should demand no extra features.

Sony offers us one masterpiece of Screwball Comedy and three lesser but in varying degrees perfectly acceptable minor films.

The masterpiece among these four movies is of course “Theodora Goes Wild”, Columbia’s 1936 comedy about the adventures of puny town girl Theodora Lynn in the expansive city. Leading lady Dunne was so unattracted to such a role – a ditzy comedy – she took off for Europe in the hope Columbia studio boss Harry Cohn would give up on his ‘crazy idea’ of casting her, dignified and very profitable Irene Dunne, a serious actress, as a petite town girl who secretly pens a intelligent bestseller under a pseudonym, Caroline Adams, then tries to veil her eminent identity encourage home from her church-going family and neighbors. Cohn stuck to his guns, and through one of those palatable transformations film is forever giving us, the melodramatic star of countless womens pictures reemerged reborn as a star comedienne!

The basic narrative line is exquisite straightforward, Theodora doesn’t want anyone to peer she is the author of a book condemned in her have home town, Lynnfield – named after her family! When Michael Grant, played by Melvyn Douglas at his most urbane, the artist who painted the sexually alluring camouflage for the book, tricks Theodora’s publisher into meeting the highly elusive Ms ‘Caroline Adams’, the painter discovers she’s anything but the wild debauchee the book suggests. Instead, the exact author is afraid at all the notoriety and wishes she had never written ‘That thing!” “What came over me!” Theodora says, as she explains to her publisher and the leering artist who she’s definite is undressing her with his observe, “Were you ever raised in a itsy-bitsy town by two maiden aunts? Have you played the organ in church since you were fifteen? No, well I have. And just now I ask myself where did Caroline Adams arrive from? How did all this open? ”

When Michael tries to observe the sexpot he believes is hidden late Theodora’s cold reserve, he gets nowhere, and she flees assist to Lynnfield. And objective when Theodora thinks its grand to breath again and her secret is fine, who should appear whistling on the sidewalk in front of her calm home but Grant, posing as an out of work drifter. When Theodora’s aunts hire him to do some work around the region she’s stupefied. Naturally events follow a predictable course, with Theodora falling for Michael, but in this case Michael, tickled he has won through Theodora’s reserves, returns to the huge city, leaving unhurried a shallow price, claiming he has ‘freed’ Theodora. Confused and upset, Theodora feels former and jilted.

Refusing to rep such treatment from Michael, and now infuriated by the wagging of local tongues gossiping about Theodora and a ‘GARDENER!’, a now flush with best-seller royalties Theodora sets off from runt town Connecticut for Current York City. There she discovers Michael also has his enjoy issues, including an ghastly bitter marriage continuing only because his father demands his son stop married as to not upset the father’s political standing. Instantly recognizing her chance, Theodora moves in to embarass Michael as he embarassed her, and the film zooms into overdrive as Theodora, now turned out in disagreeable fashions, and filling an keen press who lap up her juicy hints of broken marriages, becomes both avenging angel and humorous muse.

The films high point: A splendid Theodora giving the papparazzi a shining smile while dancing in the arms of the Governor, who of course has no clue as to the identity of his spicy partner – now a noted wild woman and homebreaker who has become front page copy in all the scandal sheets of Modern York. The handling and photography of this scene at the Station Ball is one of the absolute highwater marks not only of Screwball Comedy but American film.

This deliberately little synopsis only suggests an outline of parts of the film; what gives it such special charm is not only a clever storyline but the ease with which Dunne plays off her fellow actors – radiant professionals who allow her to literally bloom from the girl of the three hankie weepies into the liberated silly creature she becomes.

Dunne was so advantageous she received an Academy Award Nomination for Theodora, and the next year returned to comedy in the spontaneous perfection that is “The Poor Truth”. The Bad Truth – a rare comedy nominee for Best Report, and winner for best director. Dunne’s mesmerizing skill at reading comedy is truly unbelievable here, and once again she was nominated for Best Actress. For audiences of the times Dunne’s performances were fair out of left field, wholly unexpected for anyone who had sat through her playing interminable jilted women in such fare as “Benefit Street.” Now at her best, Irene Dunne illuminates the shroud, an irridescent actress, and “Theodora Goes Wild” is the first film showing her in beefy cruise! Highest recommendation!

Of the three other films –

Dunne and Boyer in “Together Again” is a disappointment. I fail to witness why unprejudiced because a well-liked actor or actress are in a film people lavish praise on it. This same uncritical adoration is laivshed indiscriminately on for several Myrna Loy/William Powell features – in particular the later films in the “Thin Man” series. Ladies and gentleman – “Together Again” is not a very well-behaved movie. Irene Dunne and Charles Boyer were earlier – and far better cast – in the suitable film, “Fancy Affair”, remade by its director Leo McCarey with Cary Grant and Deborah Kerr as “An Affair to Remember. The later well known version, in radiant color, and hugely current, appears, when seen against the first version, draw too long, idle and labored. Boyer is far better than Grant, pleasurable as the illustrious lover, and Dunne more the assured lady than the tremulous Kerr. Sadly, like so many Columbias, this earlier film fell into a melancholy set and today looks very poorly. Cherish Affair So survey this film about Boyer the sculptor, and Dunne as exiguous town mayor, but go abet and search for Dunne and Boyer develop magic together in the earlier film.

(Movie buffs as bored as I was by the basic film can at least have fun trying to space a number of uncredited performers, notably two-time Oscar winner Shelley Winters at the very beginning of her career; Carole Mathews, long since escaped from a Midwestern nunnery and gone Hollywood; and Miss World’s Gorgeous, Adele Jergens, with her brunette hair now blonde as a stripper in what would too soon become her type casting. Oddly enough, for a wartime movie the director insists on showing far more of the aging Dunne than these young bombshells! At one point Ms Jergens is out of stare on stage performing while Dunne is before the camera backsatge in the ladies dressing room doing the true stripping while her dress, with had wine spilled on it, is being ironed by an attendant. One can only imagine what the servicemen felt watching a film with the likes of Unique York’s top point to girl Adele Jergens beginning a strip tease when suddenly they are given such a switcheroo as that! The film also has an isolated and rather painful bittersweet elevator scene inspiring one of the Runt Rascals.)

“The Doctor Takes a Wife” mixes Ray Milland and Loretta Young in a less than profitable legend, but the two leads both offer charm. Gail Patrick is as ever typecasted as the other woman, and once again somewhat wasted. (To peep Patrick in absolute top manufacture one must look “My Man Godfrey”, given a magisterial reissue on Criterion – My Man Godfrey – Criterion Collection ) Let’s hope the underrated Ms Young, perhaps too familar from her long running television present, finally can be seen in her better films, such as the clear but utterly charming “The Farmer’s Daughter”.

The other Young feature finds her playing detective after a fashion – this is certainly nothing to glean inflamed about.

Had “Theodora Goes Wild” been offered as a single feature this DVD protest would have received a bulky and very deserved five stars. Hopefully a four star review will not withhold anyone from trying the lead feature. I should stamp that Dunne was not alone in losing out in the Academy Awards – in 1936 Carole Lombard was passed over for her lovely performance as Irene Bullock in “My Man Godfrey”, and in 1937 Garbo, up for her work in “Camille” lost out. In 1937 Dunne’s finest comedic partner, Cary Grant, amazingly wasn’t even nominated!

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Words and Music Movie Streaming

lorie2088281 — Fri, 19 Mar 2010 04:47:11 +0000

Words and Music Movie Streaming.

Product: Words and Music
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I never realized what a bundle of energy a youthful Mickey Rooney was. He completely steals the reveal as musical theatre composer Larry Hart (the other half of Rodgers and Hart) . Mr. Rooney brings such exuberance to his role that you actually feel sorry for what his character becomes by the slay of the film.

Granted, this is a somewhat fictionalized yarn of the songwriting partnership of Rodgers and Hart, the film contains many a classic tune and musical number performed by many of the greatest MGM stars, including June Allyson, Perry Como, Lena Horne, Gene Kelly, Ann Sothern, Cyd Charisse, Vera-Ellen, and Judy Garland, all making cameo appearences.

Not to be completely outdone by Mr. Rooney, equally impressive are Tom Drake as Richard Rodgers, who was the “solid” one of the partnership, Janet Leigh as Dorothy Rodgers, and Betty Garrett as a girlfriend of Hart.

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Anyone who appreciates the pomp and circumstance that MGM attach into their musical films will regain this film a treat for the senses.

This dramatized biography of Rodgers and Hart is given the glossy MGM treatment, but is none the worse for it. Rodgers and Hart’s music is timeless. There are many spacious performers in this movie such as Mickey Rooney, Judy Garland, Lena Horne, Gene Kelly, etc. This movie is not a masterpiece, but the music is fine and that elevates the entire movie. Superior viewing.
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Streaming Krazy Keystone Komedies Online

lorie2088281 — Thu, 18 Mar 2010 16:24:02 +0000

Streaming Krazy Keystone Komedies Online.

Movie Title: Krazy Keystone Komedies
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Krazy Keystone Komedies is available for streaming or downloading.

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This disc contains the following 14 Keystone Komedies:

Mabel’s Wilful Intention (1915) with Fatty Arbuckle and Mabel Normand

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Ambrose’s Execrable Temper (1915) with Mack Swain and Don Barcley

That Limited Band of Gold (1915) with Fatty Arbuckle and Mabel Normand

Ambrose’s Sour Grapes (1915) with Mack Swain and Barry Gibson

Mabel & Fattys Married Life (1915) with Fatty Arbuckle and Mabel Normand

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When Ambrose Dared Walrus (1915) with Mack Swain and Frank Alexander

Wandering Willies (1926) With Billy Bevan and Andy Clyde

Ambrose’s Lofty Perch (1915) with Mack Swain and Cecile Arnold

Fatty’s Spooning Days (1915) with Fatty Arbuckle and Minta Durfee

Ambrose’s Fury (1915) with Mack Swain and Chester Conklin

Fatty’s Suitless Days (1915) with Fatty Arbuckle and Charlie Chase

Wilful Ambrose (1915) with Mack Swain and Louise Fazenda

Little Billy’s Triuph (1914) with the Keystone Kids

Those Bitter Sweets (1929) with Billy Bevan

The portray and sound quality of these shorts is ok, as long as you are not expecting anything special like a David Sheperd restoration. (They are similar in quality to Grapevine Videos product) .

I also suspect that this disc has been ported from a couple UK (PAL) DVD’s released a couple years ago by a company called IVL. My reasons for this assumption are as follows:

1. The two uk disc’s released in 2004 have exactly the same shorts in exactly the same order as this current Televista disc.

2. The running time of the two UK disc’s added together is exactly the same as the total running time of this unique Televista disc.

3. The last 10 or 20 seconds on the second UK had a fault on the sound track (a loud whisper), this fault is display on the Televista disc accurate at the extinguish.

In summary this is quite a gracious collection that I would recommend if you do not already have most of the titles on it.

This DVD contains a lot of tremendous, feeble Keystone comedies. The quality of the films is acceptable. However, production of the DVD was fairly amateurish. There is no track list, which lists the films. Also, the chapter menu does not index the films correctly. For instance, “Ambrose’s Sour Grapes” begins towards the waste of track 4. The remainder of the film is on track 5. “When Ambrose Dared Walrus” begins in the middle of track 8 and continues on tracks 9 and 10. Other films are indexed in similar manner. These include “Wandering Willies,” “Ambrose’s Lofty Perch” and “Those Bitter Sweets.” The omission of a film/track list and the problems with the chapter menu accomplish the DVD very difficult to navigate. For the label, however, it’s quiet a DVD worth having. (Hopefully, the producers and/or distributors of this DVD will offer a revised disc, to those of us who have already bought the DVD.)

The list of films has been provided, in another review. Critical actors include Fatty Arbuckle, Mabel Normand, Al St. John, Mack Swain, Chester Conklin, Billy Bevan, Andy Clyde, Edgar Kennedy, Ford Apt, Charley Journey, Slim Summerville, Louise Fazenda, Mae Busch, Minta Durfee, Phyllis Haver and Marie Prevost.

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Watch Metropolis Online

lorie2088281 — Mon, 15 Mar 2010 16:08:57 +0000

Watch Metropolis Online.

Movie Title: Metropolis
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Metropolis is available for streaming or downloading.

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Fritz Lang’s METROPOLIS was very successful with both critics and audiences when it debuted in 1927 Berlin–but it was thereafter edited for distribution by Channing Pollock, who disliked it and removed tall chunks of the film and substantially altered the storyline. The resulting film was admired for its visual style, but it proved a considerable and box office disappointment. Neglected in the wake of sound, surviving prints of the film were left to corrode and decay–and when it began to approach the home market via VHS and DVD the results were very hit or miss; Blackhawk released a fairly credible version of the truncated film to home video, but for the most fraction the quality of these releases varied from barely mediocre to downright unwatchable.

Until now.

A spacious chunk of METROPOLIS–perhaps as remarkable a quarter of more–has been forever lost, but this Kino Video DVD release offers the single best version of the film available. The previously lop footage that mild exists has been restored; gaps in the film have been bridged by the occasional utilize of stills and explanatory title cards; the film itself has been painstakingly and digitally restored; and the soundtrack is the Gottfried Huppertz recent created for the film’s 1927 Berlin debut. In seeing this version of METROPOLIS, I was struck by how very differently it reads from the previously available truncated version. The visual style and the yarn itself are considerable more enchanting and cohesive, and in the wake of this restoration it becomes impossible to boom the film station as landmark of international cinema.

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Freder Fredersen (Gustav Frohlich) is the son of Joh Fredersen (Alfred Able), who reigns over the gigantic city of Metropolis. Freder is surprised to recognize his lifestyle has been built on the unseen but backbreaking labor of an entire class of unseen workers who tend the machines that compose the city run–and he descends to the subterranean levels of Metropolis in an trouble to understand their lives… and, not incidentally, to win the mysterious but handsome woman Maria (Brigitta Helm) who has inspired his interest in the workers’ scrape. But his father is concerned by both Freder’s interest and Maria’s activities among the workers, and he turns to scientist C.A. Rotwang (Rudolf Klein-Rogge) for serve. Rotwang has created a robot, and he agrees to give it the likeness of Maria in order to undermine both Freder’s cherish for the girl and her fill activities. But Rotwang has a hidden agenda of his own: once the robot has been unleashed, he will spend her to end Metropolis and thereby proper revenge on Joh Fredersen for past transgressions against him.

In many respects the legend is simplistic, but the film’s visual style and connotations are anything but. Deeply influenced by such art movements as Expressionism, Objectivism, Art Deco, and Bauhaus, the film is visually fascinating–not only in its scenic designs, but in director Lang’s famed skill at creating the great crowd scenes that dominate the film and building the bolt and tension of the film as it moves toward an intense climax. But while one can–and many do–admire the film purely at this level, there is quite a lot going on in terms of philosophical screech as well: while it offers few viable solutions, the film raises such issues as the relationship between capital and labor, the situation of religion in original society, human reaction to overwhelming technology, and (perhaps most interestingly) the drift of government into a class-conscious corporate entity. And religious motifs abound in the film: a largely deserted cathedral; Moloch; the Tower of Babel; and crosses–intriguingly juxtaposed with a repeating motif of the pentagram-like designs associated with the robot. It is animated stuff.

There has been complaint that this restoration runs at improper race and the performances are therefore unnecessarily jerky. I did not pick up this to be the case. In clear instances the movement is deliberately jerky and mechanical–the workers are a case in point–but beyond this there is nothing for which the incompatibility between calm acting and current acting techniques cannot myth. There has also been some complaint that the title cards should have been left in their novel German and translated via subtitle. There is a clear validity to this, but it seems a minor quibble; title cards were typically translated in the quiet era itself. The DVD includes a number of extras, including collected photographs, biographies of the major figures fervent in the film, and two engrossing documentaries-one on the restoration process and one on the creation of the film itself. Both are interesting; the audio commentary track by film historian Enno Patalas, however, is mildly disappointing. But when all is said and done, it is the film that counts. And this restoration is a mighty achievement, to say the least, a project which brings a huge landmark of world cinema aid from the edge of the abyss. Indispensible; a must-own.

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–GFT (Amazon Reviewer) –

This is the 139 exiguous, tinted version, with the disjointed music, distributed by “JEF films” and labeled “Aikman Archive” in yellow on the box. The sound is unpleasant and the video quality is abominable. For satisfactory video quality, procure the version produced by Kino Video instead. although the Kino version has a poor sound track, at least the video quality is very sterling. For good sound, procure the Moroder version of Metropolis.

This review assumes that you have already seen Metropolis. For those curious with Metropolis, it is considered “the” first SciFi movie — the robot, the frosty visual effects of future cities, and a few enraged scientist lab scenes. But it is only a titanic movie IF you glance the suitable version. Sadly, there are more then 6 versions of the film floating around —

Black/white, dreadful music, monotonous playback

B/W, poor music, quick playback

tinted, dreadful music, lifeless playback

tinted, generous music, swiftly playback

plus a few versions with unpleasant video quality (the DVD version is such a case) and other versions with missing scenes, a non-logical trot to the sage line due to poor editing, etc.

Unfortunately, the station with prints of Metropolis is a bit of a mess. Those looking for the tinted Girogio Moroder sound track should NOT derive this tape.

Although the rush time of this version of the movie is 139 minutes, it is actually missing scenes that are in the 90 microscopic Kino Video and Moroder versions of the tape. The reason is that this 139 microscopic tape is urge at a SLOWER run than the Kino tape is. Also, the music is totally out of sync and unrelated to the action.

Unfortunately, Moroder’s copy is not available from anywhere. At $24.95, I’d hoped that the folks at Amazon.com had found a copy but this is not the case. Someone should win a superior copy of the Moroder tape, sell that, and burn all of the other versions. Although some people object to Moroder’s rock soundtrack, at least it follows the chronicle line and is an advantageous sound track on its maintain.

I was fortunate enough to have seen Moroder’s copy the first time I saw Metropolis and I am very gay that I did.

To add further insult to injury, the CD of Moroder’s soundtrack is not the same as the music that appearred in the movie. The CD has some additional songs and is missing some others. So you can’t redub a video from the CD. So don’t rep the “Moroder CD” and examine to remix your absorb copy of the video.

OK, having provided all of the background info, there is the review:

139-minute B&W version published by JEF films. The shroud says it is a “newly restored version”, but image quality is so awful that I would rather call it “newly destroyed version”. It has actually more missing scenes than both Kino’s and Moroder’s versions, but runs longer because of slower frame urge.
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Streaming What the Bleep Do We Know!? Online

lorie2088281 — Sun, 14 Mar 2010 22:31:25 +0000

Streaming What the Bleep Do We Know!? Online.

Product: What the Bleep Do We Know!?
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This movie is a perfect example of what Nobel Prize Winner Murray Gell-Mann calls “Quantum Flapdoodle”, i.e. an attempt to expend Quantum Theory to serve a metaphysical, even mystical, plan of the world. This is often the result of confusing Quantum Theory with the interpretation of Quantum Theory. The premise of the movie seems to be to indicate that we invent our contain reality through the observation of it. What follows is a lengthy pseudo-scientific explanation of specific elements of Quantum Theory placed in a light that supports a distorted mystical idea.

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One of the first and most glaringly aggravating points about this movie is the editing. Many of the physicists in this movie were filmed for hours explaining Quantum Theory and the mechanics leisurely it, but only take pieces of the footage were worn out of context to produce it seem as if these experts were supporting a mystical world thought, when in fact they almost universally scoff at it. Coupled with that is the fact that many of these “experts” actually have no physics credentials, Quantum or otherwise.

But what about the science, you ask. Unfortunately, the science in this movie is abysmal. First, as mentioned before, they confuse the theory with the interpretation. This is simply because they advocate the “observation is reality” view, which isn’t fragment of the theory. For a theory to be considered science it must be disprovable. Observation creating reality cannot be disproven simply because it would require an observer to validate, which would then invalidate the “theory”. So from the beginning we have a base basis for science.

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Following that, the movie then cites its “proof”, which is also scientifically invalid. The first was the favorite sage that when Columbus arrived in North America that the natives could peep “the ripples in the water” but couldn’t sight the ships. Nowhere in the movie does it situation that this is a account… its actually presented as literal fact (though I should effect it isn’t implicitly stated in the film that this is a fact, it is certainly implied) . This example fails to own up to scientific standards for various reasons. First, its hearsay. There aren’t any written records or verifiable evidence supporting the myth. Its a record, pure and simple, and as such proves nothing. Second, it fails entertain the more logical reasons, such as the ripples appearing in the water before the ships had actually arrived, a distinctly logical conclusion.

The second example illustrated the “Maharisi Attain”. For those unusual with the experiment, in 1993 four-thousand people practiced trancsendental meditation in an attempt to lower the crime rate in Washington DC. After the “experiment”, the data was analyzed, tweaked and otherwise manipulated to pronounce, amazingly, that violent crime was down 18% (though the film claims 25) . This was viewed as proof of the power of group meditation and sure thinking. Sadly, this example also fails to satisfy the rigorous criteria of science. First, there was no control group, and as such no scheme of brilliant what the crime rate would have been without the meditation. This implies that the lowered crime rate could be the result of several, unrelated factors. Also, the crime rate was only 18% lower than what was predicted by analysis of previous criminal trends in the region. Violent crime increased from the previous year, unprejudiced not as remarkable as was expected by experts. Second, the slay rate during this time actually increased, so while violent crime as a whole increased less than was predicted, more murders were being commited during this time than were predicted. Thirdly, the panel who reviewed the data created by this experiment were followers of the Maharisi and could not be counted as fair, non-biased observers.

The third portion of “proof” supplied is Dr. Emoto’s famed Water Tests in which he tapes words to containers of water and freezes them into crystals that, supposedly, compose pretty images when nice words like “appreciate” and “thank you” are taped to them and putrid, homely images when mean words like “I disfavor you” and “I want to destroy you” are passe. These words were tried in several languages and sometimes images are worn as well. Unfortunately, Dr. Emoto’s astounding work has never been independently recreated in a scientific setting. In fact, the James Randi Educational Foundation has offered a $1,000,000 prize to Dr. Emoto if his data can pass a double blind test, a prize which he has refused to even attempt to claim.

After this there is a long discussion about cellular peptides and how these are responsible for all observation, emotion and, in essence, reality. This was the only section of the movie that had some sound basis in reality and could be backed up with science. It is 100% factual that the chemical processes in our brains can vastly enact how we plan reality, which is the basis of psychiatric pharmocology. The movie then moves on to utilize this as proof of the power of distinct thinking, i.e. “Our brains control how we belief reality so we don’t need mind-altering medications to be overjoyed!” Yay! Except when there’s something unsuitable with our brain and those chemicals are out of balance. I’d like to watch somebody reveal Charles Manson that all his insanity could be cured by the power of distinct thinking!

The final straw that breaks this movie’s proverbial serve is the inclusion of Ramtha, the 35,000 year customary Atlantian warrior spirit brought to us courtesy of a Tacoma housewife named JZ Knight (his “channel” in Unusual Age circles) . In a thick, Hollywood-esque Eastern European accent, Ramtha tells us about the wonders of Quantum Physics and how it is the first science to even arrive conclude to explaining magic and miracles. Okay… I don’t even know where to launch with this. First of all, if this is a movie about science, why are they including the claims of a Original Age cult leader who can’t be verified one method or another. Also, what are this person’s credentials. If its fair JZ Knight pretending to be some dilapidated Atlantian, does she have a Quantum Physics background? Second, if she IS some extinct Atlantian warrior, what are HIS Quantum Physics credentials (which could be easily verified with a series of Doctorate level tests)?

Of course, her/his authority is never questioned, and there’s a reason. It took a itsy-bitsy digging to acquire, but the gigantic majority of the people interested in making this film are followers of Ramtha. When this came to light, I was flabbergasted. The fact that most of the movies views tumble factual in line with her group’s Recent Age philosophy puts an entirely novel stagger on the movie. Suddenly this looks like nothing but one, vast recruitment share for Ramtha.

I gave this movie one star because it does one salubrious thing: It gets people thinking about Quantum Physics and reality. Some people who spy this movie might be enthusiastic to dig deeper into the sincere science and check out John Gribbin’s profitable series of books about Quantum Physics for the layman. I recommend “In Search of Schrondinger’s Cat” most highly.

As Richard Feynman said, “If you consider you understand quantum mechanics, you don’t understand quantum mechanics”, and that sums up the major jam with this movie. It provides a belief of quantum mechanics that is absurdly simple and abysmally unscientific. The beauty of particle physics is magical in and of itself, it doesn’t need to be married to philosophy and Unique Age metaphysics to be unbelievable.

I humbly submit that truly open-minded persons ought to earn mighty spend of that laudable trait in educating themselves about this movie: the topics it purports to deal with, the manner in which it attempts to report them, & the possible motives & intentions of its makers. Also assume with an commence mind the plan that until one has attained an view of the topics enthusiastic, the objective thing to do is to reserve one’s judgement, especially effusive unearned praise. And finally, try on for size the precept that it’s pretty to initiate out with an initiate mind but not quite so desireable to slay up with one.

Below, for the open-minded, are some suggestions for further reading, grouped by topic. (If the filmmakers had really been very concerned about educating people about these issues, wouldn’t they have leapt to provide this information themselves? )

Overview of the movie:

http://en.wikipedia.org/wiki/What_the_bleep

Analysis of the movie:

http://www.skeptic.com/eskeptic/archives/2004/04-10-01.html

http://salon.com/ent/feature/2004/09/16/bleep/index_np.html

http://nthposition.com/whatthebleepdowe.php

Introduction to the seek of quantum mechanics:

http://en.wikipedia.org/wiki/Quantum_mechanics

Introduction to the variety of interpretations of the formalisms of quantum mechanics:

http://en.wikipedia.org/wiki/Interpretations_of_quantum_mechanics

Followed by ‘Quantum Quackery’ (deals with Amit Goswami) :

http://www.csicop.org/si/9701/quantum-quackery.html

Introduction to issues in the philosophy of science (attempting to understand what science is really all about) :

http://en.wikipedia.org/wiki/Philosophy_of_science

With respect to the filmmakers’ disingenuous & unethical utilize of David Albert:

http://www.thestranger.com/blog/archives/2006/02/05-11.php#a004212

Information about Masaru Emoto & his dubious claims about water crystals:

http://en.wikipedia.org/wiki/Masaru_Emoto

More about this Ramtha cult:

http://www.rickross.com/groups/ramtha.html

http://en.wikipedia.org/wiki/Ramtha

If you’re really eager in exploring an at least more objective attempt to interpret consciousness as having something to do fundamentally with quantum mechnics, stare into Stuart Hameroff’s work:

http://en.wikipedia.org/wiki/Stuart_Hameroff

Film aesthetics, or why this film, aside from its misapprehensions & dishonesties, is an eyesore & annoyance:

See any film by Luis Buñuel or Andrei Tarkovsky or Jan Svankmajer, unbiased for instance. Or if you particularly like not-too-deep but pleasantly engrossing philosophical meandering in film, *Waking Life* & I Heart Huckabees* at least expose agreeable artistry.
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Streaming Mojados – Through the Night Online

lorie2088281 — Sat, 13 Mar 2010 07:52:25 +0000

Streaming Mojados – Through the Night Online.

Movie Title: Mojados – Through the Night
Average customer review:

Mojados – Through the Night is available for streaming or downloading.

Click Here to Stream or Download Mojados – Through the Night

Tommy Davis’ first feature-length documentary casts light on a major quandary in America today: illegal immigration. It is an economic quandary, insofar as the US economy depends upon cheap illegal labor. It is a human rights sigh, insofar as thousands die and more suffer every year entering the US in search of a better life. And it is a political dilemma, insofar as making the borders more, less, or equally porous is opposed by some faction or another.

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That what unfolds on hide is illegal, genuinely uncertain, and previously unseen by anyone but those who have made the meander, gives the film the irresistible allure of transgression, risk, and voyeurism. Davis’ hushed narration throughout the film conveys the mortal seriousness of the subject. And the music of Sin Panache fits each scene like a glove, giving issue to the emotions along the plan.

The news clip toward the ruin is a masterful touch, highlighting how very well-liked such events are. The impersonal newscast contrasts sharply with the very personal film, as if Davis is criticizing the cool manner in which the bellow is normally depicted.

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Davis’ film is not propaganda, nor is it one-sided, as some xenophobes have claimed. It has won so many awards because it is a timely, heartfelt portrait showing the human face of a previously impersonal political snarl. Davis should be commended for bravely highlighting an all too ignored disclose – and all the more for doing it so well.

Some might beget that this film is pro immigrant. I’m not so certain I agree with that notion. While I respect different opinions on the whine, I have the director has created a film that is not propaganda or pro one side of the boom or another. Davis simply shows the migrants perspective of illegally immigrating to the United States; the why and the how? I absorb the footage and information that Mojados offers is key to thought the root of the converse, and can’t be seen anywhere else. Migrants risk their lives and go through brutal life-threatening terrain to reach to the United States and for the most fraction work hard and contribute to our society and economy. They leave their families late in order to eventually near succor to them with money and hopes for a better life. While the natural result of the film may advance off as sympathetic to illegal immigrants, it’s based on the fact and humanity of the announce.
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Watch Fort Apache Movie Online

lorie2088281 — Fri, 12 Mar 2010 23:30:22 +0000

Watch Fort Apache Movie Online.

Product: Fort Apache
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This John Ford classic has all the requirements for a stout film. While a bit sappy at times with the faded army Irish types, Victor Mclaughlin got a second life with these films, there is smooth enough here to bewitch the intellect. Shirely Temple is bright to explore grown up. Her acting style certainly did not evolve distinguished over the years.

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What makes this film tall are Fonda and Wayne, both playing roles opposite to their norm. Fonda is wonderfully arrogant and yet vulnerable at the same time. Wayne is humble and second fiddle for a change, he comes off well being the wiser, disgruntled subordinate. What really makes this film is the scenry an production quality. John Ford was painstakingly legal with unifroms, equippment and gear. He provides a believeable image of army life, with all its pettiness and sense of honor. Everything is legal down to the various bugle calls and the troop commands issued to the men. While there are determined comparisons to Custer, what makes this film keen is the sheer search for of military incompetence. Fonda’s character is desperate to compose a name for himself, and he sacrefices his enlighten in order to do so. The battle scenes are provocative to peek, even the outmoded fashion carriage fling with the Indians running about is well done. In the extinguish what is the message of this film? There probably isn’t any exactly. Fonda’s character creates a military anguish, pure and simple, yet we ogle that Wayne is willing to carry on this legacy of heroism to inspire the regiment in its continued campaigns against the hostiles. Here we behold how myths are made from the most unlikely sources. A resplendent film all around, and probably the best of Ford’s cavalry epics.

The first, and in my view, the best of John Ford’s so-called Cavarly Trilogy. “Fort Apache” is Ford’s thinly veiled re-telling of the Custer-Little Bighorn sage. A subject that fascinated Ford, but he didn’t want to be hemmed in by the history so he completely changed the names and locations so he could negate the sage the device he wanted to say it.

Henry Fonda plays a Custer-like Colonel who has seen his career’s meteoric rise during the Civil War destroy with peacetime and an assignment to a frontier outpost. He resents this, and looks for an opportunity to come by fame and glory. He finds this opportunity at the expense of the Apaches who have left their reservation for agreeable reasons. If he can defeat the Apaches then his career will certainly be boosted. Fonda’s Colonel Thursday is a doughty and competent officer, who does contemplate some of the injustice and indignity that the reservation system has imposed upon the Apaches, but his lust for glory blinds him to everything in the kill.

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John Wayne plays the competent, experienced second in convey who clashes repeatedly with his expedient. The film also features a worship interest between a grown-up Shirley Temple and her then real-life husband John Agar. Being a Ford movie there is plenty of silly relief from various Irish NCO’s, and romanticized vignettes of frontier cavalry life.
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Star Wars: Clone Wars Streaming

lorie2088281 — Wed, 10 Mar 2010 06:55:44 +0000

Star Wars: Clone Wars Streaming.

Movie Title: Star Wars: Clone Wars
Average customer review:

Star Wars: Clone Wars is available for streaming or downloading.

Click Here to Stream or Download Star Wars: Clone Wars

An outstanding entertaining place of adventures, Star Wars-Clone Wars Vol. 2, brings to the cloak 20 more three-minute war stories from the Clone Wars.

Set between Episodes Two and Three, the film sheds light on events arresting some of the most impressive jedi knights, including the astonishing defence of the Republic’s capital city by Master Yoda and Mace Windu, the failed attempt to protect Chancellor Palpatine and his subsequent kidnapping by General Improper, and of course Anakin Skywalker’s ascent to Master Jedi spot.

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The cast have truly outdone themselves with their performances, which are Fabulous to say the least! All the actors, without exceptions, give it their 100% and it really shows (the animation does approach ALIVE) allowing for a highly involving movie that can be watched over and over again.

The setting, the status, the dialogues, the battle sequences, and the music are all Worthy!

In short, Star Wars-Clone Wars Vol. 2 is a movie definitely worth watching and one to seriously deem adding to your Star Wars collection!

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Download Rocky

lorie2088281 — Wed, 10 Mar 2010 04:55:26 +0000

Download Rocky.

Product: Rocky
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Hello Folks,

I want to thank MGM for this release….they really got it correct!

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first off…

all the advantageous bonus features from the 25th Anniversary edition..

the 30 shrimp on camera commentary by Stallone, the tributes to Burgess Meredith, the cinematographer James Crabbe and Bill Conti..ALL made it to this edition…which means you don’t have to occupy onto older tainted editions to have all the bonus features…and this IS a mountainous deal. Too many new DVD editions of movies lose faded features which compose keeping mutliple copies primary and that stinks.

The extra features are really too many to list…multiple commentaries..and the Stallone alone is worth the update…its truly like watching the movie with him in the room…WOW!

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all the past trailers…the appearance on the Dinah Shore indicate..featurettes…this is a NO BRAINER for fans of the movie.

The three fragment “making of” which runs about an hour and half and features the main players is unbelievable in its revelations about the movie and the craft of making movies and WHY this was a million to one chance and WHY their lack of budget actually helped in many ways. The twenty miniature documentary on the Steadicam and its inventor …who filmed his demo on the art museum steps before heading to Hollywood….its unprejudiced proof that all the planets lined up for this one!

For those out there bitching about the upgraded releases of DVDs…don’t consume em…for those of us who fancy the movies…these higher quality releases are very welcome. I picked this 2 disc site up for $15 at Target…and there are hours of features…WHAT A DEAL!

If you adore the movie…score this version.

if you don’t care about bonus features…stick with your feeble copy.

One of the only films in my top ten list that seems to bag better every time I discover it. Rocky Balboa is one of the most charming down on his luck loser’s the cinema has ever seen. The film sweeps a range of emotions from hope where it was all but gone to chill you to the bone despair. A film of loneliness, surrender and ultimately redemption. Impartial re-watched the scene where Mickey comes to ask Rocky if he can manage him. The apprehension in the sub-text and in Rocky’s eyes is so tragic and aesthetic. I peaceful derive caught up in it after dozens of viewings. Fair extraordinary.

Movie 5.0 out 5.0 stars

Blu-ray details

The represent quality is stellar, grainy and improbable. There are some inconsistencies in the shadows during the fight and of course a astronomical color shift when they slash to stock footage of the audience, but most if not all of these artifacts are probably from the recent release. The sound is tinny here and there and over modulates once in a while, again I consider this probably due to the novel sound track being 30 years former but it is distracting on occasion.

The biggest disappointment is the lack of extras. MGM simultaneously released a collector’s edition 2 disc DVD of ROCKY with commentary from Stallone and hours of leisurely the scenes and documentaries on the film. Unfortunately none of these are on the Blu-ray edition. The only extra is the novel theatrical trailer. Quite a disappointment and although the narrate is mountainous, I would have opted for the DVD if I knew ahead of time. A 30 year old-fashioned film is technically sub-par to what we look today and seeing it on a DVD vs. a Blu-ray Disc is probably not a hugely dramatic inequity. I suggest saving a few bucks and getting a lot more with the 2 Disc DVD.

Blu-ray acquire, due to lack of available extras: 3.0 out of 5.0
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