Michael Powell Double Feature Streaming

February 6th, 2010 by king5965359
Michael Powell Double Feature Streaming. Michael Powell Double Feature Streaming.

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I was introduced to Michael Powell’s work by a friend who loved ‘The Red Shoes’. Although I loathe musicals, that film had such visual poetry that I loved it the instant I saw it.

I have made it a point to gawk his other films wherever possible and ‘Stairway to Heaven’, seen several times on TV, was always a approved. Oddly, it has never been available in any video format–until now.

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This double feature has a pristine print of Stairway which remains a popular and a film everyone should contemplate.

Accompanying it is Powell’s final film–’Age of Consent’, which I had never before seen. It features a stunning, measured performance by James Mason–and a first-time showing by Helen Mirren.

Viewing these and Powell’s other films display impartial how worthy this man was. I fetch it wonderful that one film–’Peeping Tom’, derailed his career so completely.

In any case, this is a spacious DVD with two extraordinary films–and when you leer them, you will peruse out his other works.

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Age of Consent is long overdue and a luscious film to leer. As with some films of that vintage area in Australia, it has an English director and stars, but the native joy of the current by Norman Lindsay (the painter in Sirens) shines through. James Mason plays the painter who spends a season on a remote Queensland island, and finds a youngish (and solidly built) Helen Mirren to paint. Most of the film is fluff, except for a outrageous turn by Mirren’s mother, but Powell’s light touch is perfect and you obtain to expend time in an astonishingly exquisite corner of Oz. Actually, watching this film feels like taking a holiday. Recommended.
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The Monster That Challenged the World/It! The Terror From Beyond Space Streaming

February 3rd, 2010 by king5965359
The Monster That Challenged the World/It! The Terror From Beyond Space Streaming. The Monster That Challenged the World/It! The Terror From Beyond Space Streaming.

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It’s always a pleasure when the B-movies of our childhood are released onto DVD. We don’t study these puny gems anymore on television (even though we have over 100 channels), mainly, I mediate, because they are in shadowy and white and this is a color TV world.

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But these are the films we stayed up on countless Saturday nights to sight and they remain with us psychotronic fans as a most capable memory. This MGM Midnite Movies entry is a perfect example, as we rep that we like these films all over again. Now, if we can only net the kids to sit quiet for dark and white.

The first movie “The Monster That Challenged the World” (1957) is an intelligently belief out puny recount. Mysterious disappearances are occurring in the Salton Sea. Tim Holt (Remember him from “love of the Sierra Madre”? ) and scientist Hans Conreid (Uncle Tounoose from “Originate Room for Daddy”) investigate and recognize that an earthquake has freed prehistoric mollusks. If not stopped, they will overrun the environment. The movie moves at a brisk trek and has several grand chills. Seek for character actor Milton Parsons in a exiguous role as the county archivist.

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“It! The Dread from Outer Plot” (1958) is a better movie than one would suspect from the title. In the year 1973 (!) a ship is sent to Mars to rescue the survivors of a previous manned excursion. Of that novel crew, only Marshall Thompson is left alive. Circumstantial evidence has him pegged as the killer, but as the crew soon learns, a Martian stowaway is responsible and will raze this crew if nothing is done to end it. Intelligently scripted by Jerome Bixby (who wrote a few “Star Ride” and “Outer Limits” episodes in the 60s), the relate always keeps us alive to. The acting is also solid, with Thompson, Dabbs Greer, and Ray “Fracture” Corrigan in the monster suit. It may be of some interest that the film was remade by Ridley Scott in a fashion as “Alien.”

All in all, a most generous evening at a bargain stamp.

Edward Garea did an good review about this fabulous extinct film on April 4th, 2006. There is not noteworthy I can say, but I honest want to portion my thoughts. To originate, this is a fabulous old-fashioned sunless and white “B” scare film from the 1950’s. I can not understand why we never leer these passe films on TV. I ogle many obsolete dim and white films on AMC and really luxuriate in them, but most I’ve never heard of. I seize when growing up, sitting up to the wee hours of the morning, waiting with anticipation, for these astonishing movies to arrive on. In our position, Double Chiller Theatre came on at 11:30 each Saturday night and I begged my mother to let me sit up and stare these movies. Two movies would be shown and I occupy my favorites were, “House On Terrorized Hill”. “War of the Colassal Beast”, “I Was A Teenage Werewolf”, “The Werewolf” and “It,The Apprehension From Beyond Spot”. In my understanding, it is dim that the kids of today do not care for, or relish these amazing primitive films. I only hope that more of the “B” anxiety films are released soon on DVD. Let’s face it, once our generation is gone, nobody will care about these astonishing venerable films.
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Download Blu-ray War Classics Bundle (Patton / The Longest Day / Sand Pebbles) -

January 31st, 2010 by king5965359
Download Blu-ray War Classics Bundle (Patton / The Longest Day / Sand Pebbles) -. Download Blu-ray War Classics Bundle (Patton / The Longest Day / Sand Pebbles) -.

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the movies are grand but if you remove these 3 films separately from amazon it’s 66.00 total so why would you pay 107 for the bundle.

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The other Reviewer on this page states that The Longest Day was only MONO when it came out

This is not the case ‘

It was released in CinemaScope and 4 Track magnetic Sound giving you

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Stereo and Surrounds.

It was later Released in 70MM in 1970,blows up fro the CinemaScope prints.

PATTON was made in Dimension 150 70mm and 6 Track Magnetic Sound

The Sound on the Bluray release is kindly.
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Buy Far and Away DVD

January 25th, 2010 by king5965359
Buy Far and Away DVD. Buy Far and Away DVD.

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When I first viewed this film when I was 10 years passe on May 23, 1992, when fell in savor with it from the very launch. It was so rare a feeling at that age to actually feel profitable in a very human design, not fair as a spectator. The movie’s theme seems to be a very trite one: Always follow your dreams. Many films have tried to exhaust this theme and failed miserably. They will pump a lot of cheesy moments into one finale, without any kind of supporting events to display that it is an earned pay off. FAR AND AWAY succeeds where these other films fail. The scurry starts at point A and goes straight to point B without any pishposh in between. You are with Joseph and Shannon through their fortunes and misfortunes and notice almost every step they hold from getting to rural Ireland to Boston and finally to Oklahoma. What also makes it work is the onscreen chemistry between Tom Skim and Nicole Kidman. The two had only done one movie together (DAYS OF Dispute) before teaming up for this one. At the time, they had only been married for a year, so their recent found savor for each other was current in their minds and ready to be shared. The advantage Skim has for playing a scrappy Irish boxer is his star spot and the amount of time he spends with a personal trainer. His bulging muscles in the boxing scenes reveal that he’s no longer the limited bugger in Dangerous BUSINESS. It also doesn’t injure that the film is beautifully shot, taking adavantage of the rich Irish cruise and the tremendous farmland of Oklahoma. This beautifully illustrates the long amble of the films site and place. How exceedingly different the images feel and how far must one recede to obtain to each! Perhaps another reason this film is so special to me is the complete and issue romantic feel it has. The comely scenery, the treasure between the two lead characters and actors, and the blooming music. The get is one of John Williams’ best setting all the upright moods in all the honest places. He starts with used Irish folk sounds and moves into Coplandesque America. Watching this film, my heart always goes a flutter, thinking about how I want to effect my dreams and ambitions. One of my dreams is accurate like. The intention Joseph and Shannon gain adore is striving for their dream, not intelligent it was there all along. I am madly in savor with a girl accurate now. In my fantasies, I always characterize myself as Joseph and her as Shannon, kissing on an launch wheatfield, our land. Whenever I hear Enya’s book of days played at the ending credits, I almost roar with joy thinking about holding her and sharing my appreciate with her. Watching FAR AND AWAY is the closest I derive to fulfilling my dreams at this point. Leonard Maltin complains of no tale. If there was no yarn, there’d be no kind of slither and I would be completly detatched. I give FAR AND AWAY 5 stars because it has stirred almost every emotion in me for over 8 years. A movie like this deserves no less.

I might I have only been intrigued by this movie because I was bored (first saw it at 12:00 at night on TV when I couldn’t sleep), but I was terrorized at what a MIRACULOUS film this is. I couldn’t conclude thinking about it for days. For critics to say there was no myth, WHERE WERE YOU DURING THIS MOVIE? All the twists and turns kept me guessing until the ruin. It was in no plot predictable. All throughout the movie, I understanding Shannon and Joseph would kiss and live happily ever after, but something would skedaddle them apart. Films like this reach few and far between. I highly recommend this legend!!!
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Extras – The Extra Special Series Finale Review

January 18th, 2010 by king5965359
Extras - The Extra Special Series Finale Review. Extras – The Extra Special Series Finale Review.

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This is one of the best TV shows I have ever seen. The writing is first class and the acting fabulous. It more of a mini movie than a TV demonstrate and brings ‘Extras’ to a shimmering extinguish. The scene with Clive Owen has to be one of the funniest scenes ever written by Gervais and Merchant. I like many would like to peruse Extras continue, but can understand why Ricky Gervais and Stephen Merchant have decided method the note to an extinguish. Every episode has been fault-less and will go down in history as one of the all time ample TV shows.

Poor Maggie…it was like the Perils of Pauline, all the things she had to go through! Smooth and all fair one of my well-liked comedies ever and this episode tied everything up nicely. The DVD is worth the note impartial for those few minutes of When the Whistle Blows, the gaggingly poor, pre-historic sitcom Andy stars in; it seems esp. moldy in these days of quick-witted shows like Curb, The Office (UK and USA versions), and, of course, Extras.
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Download X-Men Evolution – Season 1, Volume 1: UnXpected Changes

January 9th, 2010 by king5965359
Download X-Men Evolution - Season 1, Volume 1: UnXpected Changes. Download X-Men Evolution – Season 1, Volume 1: UnXpected Changes.

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This video is the first 3 episodes of the novel series.. It introduces most of the characters, and gives respectable insight into the younger years of the X-Men. I would reccomend it to all fans, over the novel titillating series.

It’s certainly honest that X-Men: Evolution is toned down in terms of violence. It’s aimed more for PG-13, not R as the other rater seems to want.

But it’s collected an satisfactory indicate, and anyone who can devour the movies should certainly devour the sharp series. If you hated the movies due to inaccuracies with the silly books then you won’t like this series either. The characters in the series are nearly identical to the ones from the movies, with the exception of Nightcrawler. In the movies, he was blue and covered with self-inflicted tattoo scarring. In the series he’s blue, fuzzy and lighthearted. Wolverine, Cyclops, Xavier, Magneto, etc, are characters you’ll be immediately familiar with from the movies.

Is this a present intended to choose the attention of X-Men amusing book loyalists? Probably not.

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It’s a point to about a group of young people coming into mutant powers who net themselves thrust into the role of superhero…. or supervillian, depending on if they chose to join the X-Men or ally with Magneto. The animation style is radiant and contemporary, the squawk acting is top-notch, there’s enough action and laughs to entertain the younger crowd and enough character development and plotline to sustain an older crowd entertained as well. It’s X-Men in a format safe enough for primetime. The character interactions are grand richer than you typically acquire in intriguing superhero shows and it’s fair an all around gargantuan explain.

Like any book (or funny book) converted to film, don’t earn so hung up on what got changed or “left out” and this will be a series you can really savor.

Also, check out the boxed plot which has all of season 1.
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Stream Shoot to Kill

January 1st, 2010 by king5965359
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A rare action movie that manages to rise above its formula, Shoot to Waste delivers mystery, arresting action, and glowing cinematography.

Tom Berenger has done many action/thriller movies, but Sidney Poitier steps out for a change of slither in this movie. Its formula is “double-fish-out-of-water buddy relate”, and it stays glowing stop to the formula throughout the movie.

Poitier plays an FBI agent who blew an arrest and damage up with a expressionless civilian, and has tracked the (unseen) thief/killer into the Pacific Northwest. Berenger plays a tracker, whose girlfriend runs a slouch guide business. The girlfriend (Kirstie Alley in an outdoor role!) has taken her latest group of travelers out into the woods, and Poitier believes that the killer is among them. If that’s not unpleasant enough, a deadly storm looks like it’s coming on.

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The precise fun in this movie is in the first half, where you gape all of the men in Kirstie Alley’s group. All of them are recognizable character actors, and most of them have played villains in other movies before. So which one of them is the killer? I guessed disagreeable the first time.

Unfortunately, this gets revealed about halfway through, and the movie returns to the formula. However, the friendly performances and lush cinematography elevate it beyond the norm. I understanding Poitier did a vast job as the city-based FBI agent, and Alley was surprisingly salubrious as the race guide.

Definitely worth a observe. Or two.

Poitier may have been in his 60’s when he made this one but his physical prowess was equal to those considerable younger. In one of his few stabs at “action” drama, he is believably qualified as a city-dwelling FBI agent that is thrust into a wilderness mosey in pursuit of a killer. Berenger also fares well as Poitier’s antithesis, a rugged outdoorsman that assists the agent in his quest. Kirstie Alley is also on hand as the unknown-to-her “damsel in wound”.

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However, it’s Clancy Brown that is fittingly creepy as one of the members of the hunting party led by Alley. His deep and resonant drawl sends shudders up one’s spine. It’s no wonder that he is one of the most sought after voiceover talents around (supplying the instruct for Lex Luthor on the most novel Superman/Justice League incarnations, objective to name one) .

The scenery is aesthetic and the action is genuine in this overlooked thriller.
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Watch Once Upon a Mattress Movie Online

December 25th, 2009 by king5965359
Watch Once Upon a Mattress Movie Online. Watch Once Upon a Mattress Movie Online.

Product: Once Upon a Mattress
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My first ask is Why? Why bother going to such expense and peril to bring this worn chestnut to the shroud (TV, that is)? It was never a Immense musical to launch with. But on the other hand, I’m ecstatic they did, because, as a conventional musical director, I have conducted and played this exhibit several times. The last time was over 30 years ago, so it was astounding to gawk and hear it again after all this time.

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There have been complaints that the songs aren’t memorable. (One reviewed didn’t like them so he/she fast-forwarded through them. That’s a amazing plan to derive to know a song!) The songs are indeed memorable, and quite tuneful. Mary Rodgers, Richard’s daughter, did a fabulous job…better, in fact, than her father was doing about that time. And the lyrics are very clever. “Sensitivity” in 5/4 time is a tour-de-force of writing and performing. I was sorry they prick “Very Soft Shoes,” the jester’s song. And “An Opening for a Princess.” I missed that, too.

The casting was either apt or inspired…mostly. Matthew Morrison and Zooey Deschanel as the young lovers are rather wimpy, to the point of who care if they gain married or split or what. But objective about everyone else was fine. The jester (Michael Boatman) was too honorable to have had “Very Soft Shoes” taken from him. Tom Smothers, a dependable treat, was incredible to stare. His pantomime and facial expressions were toothsome. Denis O’Hare grew on me. Not being a TV freak, I wasn’t familiar with him. Tracey Ullman was beautiful, if a puny long in the tooth for the section. (Then again, one of the productions of the exhibit I did starred Imogene Coca in the piece, and she was in her 60s then!) As for Carol Burnett, she was unbelievable, totally over the top! She graduated from the princess to the queen perfectly. (Imogene should have had such luck!) Unfortunately, a song was added for her, which did nothing to distinguish itself other than quote Winnifred’s “Happily Ever After,” a theatrical no-no. (Fred’s song was a soliloquy. How or why would the queen state the same thing? )

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The production values were very high. Bob Mackie’s costumes for Carol were breathtaking…and hysterical!

In all, though the point to is dated, it’s fraction of musical history and let’s wish that more classics would fetch this treatment. (How about SHE LOVES ME for a initiate, guys? )

Just watched this on the TV special ahead of the release of the DVD and while the reveal was tantalizing it had some short-comings principally in dropping numbers such as “Yesterday I Loved You” which was sung by the young lovers. In its station they sang a shortened version of “Normandy” which was not their number in the first situation. “Very Soft Shoes” a minor show-stopper for the jester was missed and “Many Moons Ago” and “An Opening for a Princess” were reduced to bits. The accept that was retained was edited but the songs serene entertain. The cast was well chosen and Tracy Ullman was plucky taking on a role forever identified as Carol Burnetts’ who camped it up in high style as foul Queen Aggravain for this special. Tracy was obliging and amusing but her singing lacked the lung power of Carol Burnett especially the draw Ms Burnett belted out “Happily Ever After” and “Stunned” Denis O’Hare made an appropriate woe-be-gone Prince Fearless and Matthew Morrison sang well as Sir Harry. If this display had been made for HBO maybe they could have retained the entire note instead of being constrained by the endless parade of commercials on network Tv. As is the reveal was composed a lot of fun and the funniest line came when Lady Larkin tells Sir Harry she is expecting his baby and Sir Harry replies, “You can’t be blamed you had a moment of weakness”
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Lowest Price on Up at Amazon.

December 20th, 2009 by king5965359
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Here’s a movie for dog lovers, the elderly, children of divorce, FOBs (Friends of Birds), extinct Boy Scouts, people yearning for adventure, and anyone who has ever loved… and lost. Up is for everyone. It made me laugh out loud, and it made me scream.

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I belief it would be tough for Up to match the emotional power of Wall-E. The two Pixar films are similar in their lack of dialogue in the first act, which helps deepen the emotional impact. Up begins with Carl, a scared young boy star-struck by a notorious explorer; and kookie Ellie, who has a similar obsession. The two kids become speedily friends, and impart to one day depart to Venezuela’s Paradise Falls. After getting married, they consume their dream home and fix it up, hoping to enjoy it with children. Carl and Ellie’s life together from childhood through used age is depicted, silently, with delicacy and subtlety. The first 15 minutes is like a celebration of a elated marriage, and you truly feel Carl’s harm when he is left alone. He sits slumped in his chair, talking to the house as if it is the missing Ellie.

When developers conclude in on Carl’s beloved home, he decides to fulfill his promise to Ellie and fade to Paradise Falls. A traditional balloon vendor, Carl lifts his home with hundreds of incandescent balloons. Stowing away on the porch is Russell, a bulky, intrepid kid trying to bag a scouting badge.

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After landing in Paradise Falls, the frail man and the dinky boy are joined by a golden retriever named Dug who can talk with his collar, and a great rare bird that bonds with Russell (he names her “Kevin”) . Dug is priceless: spot-on for every dog that ever lived, including an obsession with squirrels. Through a series of halt calls and adventures, the quartet vanquishes a villain, saving the day. And Russell earns his scouting badge.

In the process, Carl learns to let go of his murky mourning for Ellie, and live life again. When this happens, a truly magical thing happens. Before, Carl’s craggy face is gray and monochromatic. At the moment of his transformation, Carl’s face is awash in color, and he is surrounded by aesthetic hues. It reminded me of The Wizard of Oz, when Dorothy steps out of her gray world and into a candy-colored Munchkinland. Carl, too, enters a whole recent world.

Up is a deeply emotional film, chunky of truth. It’s the year’s best film. Find another triumph for Pixar.

Someday, Pixar is going to do it — they’re going to earn an emotionally uninspiring, lackluster keen movie. But in the meantime, they’re detached putting out delectable interesting movies like “Up,” which defies the usual kid-movie conventions by starring a crotchety outmoded man. It’s a charming, fun diminutive adventure myth with flying dogs and balloon-powered houses, but underlying it is a bittersweet slight sage about loss and savor.

As a child, the tremulous Carl Fredricksen bonded with the oddball Ellie over their shared treasure of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, recede into their “clubhouse” together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.

Now crotchety, alone and harassed by a staunch estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn’t going quietly — instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an fervent, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the rush. Unpleasant kid was honest trying to come by an “assisting the elderly” badge.

And the jungle hump to Paradise Falls turns out to have some surprising obstacles: a immense emulike bird that Russell names Kevin, a talking dog named Dug (”I am jumping on you, bird!”), and a mysterious old-fashioned man who lives deep in the heart of the jungle. Turns out the conventional guy is very familiar to Carl — and to seize Kevin, he’s willing to sacrifice Carl and Russell.

Industry experts were babbling about how “Up” wouldn’t be as well-liked as the previous Pixar movies, because the protagonist is basically a crusty former coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages — while the humor and action appeal to children, adults can relish Carl’s savor for his lost wife, and his uninteresting realization that he’s clinging to the past.

In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I’ve seen in a long time. Without a word, they present all the ups and downs of a realistic marriage — joys, sorrows (Ellie’s inability to have children), growing traditional together, and finally loss.

But it’s not a depressing movie by any stretch — in fact, it’s like a childhood fantasy approach to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of large dialogue (”Do you want to play a game? It’s called Gaze Who Can Go the Longest Without Saying Anything.” “Icy! My mom loves that game!”) and an action-packed climax in an faded airship.

Ed Asner is absolutely perfect as ubergrouch Carl — crotchety, grumpy, and positive to fulfill his wife’s lifelong dream, but gradually realizing he’s clinging to the past. Nagai is equally perfect as Carl’s polar opposite: a naive, chattery Scout who is obvious to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special leer. These creatures are utterly hilarious — they talk (”I hid under your porch because I treasure you”) and act the diagram dogs would if they talked. Three words: cone of shame.

The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to glean shafted because the Blu-ray edition will have a bunch of irregular stuff. Grr. As for this one, there’s a digital copy, the director’s audio commentary, kinda-alternate-ending “The Many Endings of Muntz,” and the documentary “Adventure Is Out There” about the research for this movie.

There are also a pair of adorable captivating shorts. “Partly Cloudy” has a much-abused stork having to deny potentially inferior baby creatures from a kind but clueless cloud. And “Dug’s Special Mission” is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.

“Up” continues Pixar’s running tally of gloriously bright, emotionally layered movies that the entire family can like. With that, I have only one more thing to say… SQUIRREL!
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The Professional Review At Amazon.

December 15th, 2009 by king5965359
The Professional Review At Amazon.. The Professional Review At Amazon..

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I maintain both the US and international versions of this film, and the international edition is considerable better. Both versions carry a shrimp sexual tension throughout between Leon and Matilda, and the uncut version is more pronounced in this dwelling, but that isn’t the reason to assume it.

The extra 24 minutes on the uncut version provides a deeper plan of the relationship between the two as the film progresses. For example, in the US version Matilda never becomes a steady “cleaner” or hitman. It’s only hinted at when they shoot a jogger from a rooftop with blanks. In the uncut version, Leon takes her completely under his glide and teaches her the trade, including scenes where the pair urge around killing terrible guys and such. In the process, Leon teaches her the “ring trick” by tossing a grenade at a victim and keeping the ring and grenade pin in his hand. This scene sets up the final scenes in the movie in a diagram that the US version left short and unexplained.

If you enjoyed the US version, you’ll probably admire the uncut version more, if only because the characters and their relationships are worthy deeper.

French director Luc Besson (”The Messenger”; “The Fifth Element”) made his U.S. film debut with this radiant thriller of an Italian hitman who is untouchable. “The Professional” stars Jean Reno (”The Huge Blue”) who plays Leon, a professional hitman with ninja-like skills, who eliminates rivals for a mob boss (Danny Aiello) .

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After a contaminated cop (Gary Oldman) eliminates the family residing next door due to a drug transaction gone sinful, Leon finds himself the guardian of young Mathilda (Natalie Portman in her cover debut) . Taking Mathilda under his helm, Leon teaches her the art of the “cleaner”. However, inconvenience lurks around every corner, and Leon must protect Mathilda from the same cops who killed her family.

Considered by many to be his masterpiece, “The Professional” was originally released internationally under the title “Leon”. However due to the feeling that American audiences might get some material unacceptable, over 24 minutes of the film was edited out. Finally, Columbia/Tri-Star has made an pleasant decision in releasing the uncut, international version of this satisfactory film in the U.S. as it originally was called in August 2000.

While the film’s central theme revolves around Leon and his job, the subplot where Mathilda develops an attraction for Leon is reminiscent of the novel/film “Lolita”. The chemistry between both characters in a father/daughter relationship can be intense, especially as we examine that Mathilda is in her puberty-stage.

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Jean Reno is honorable as always, and Gary Oldman gives a chilling performance as Stansfield, the execrable DEA officer who murdered Mathilda’s family in cool blood. However, the steady scene-stealer in this film has to be Natalie Portman. This ravishing young girl radiates beauty and professionalism throughout the film. Her porcelain-looking skin, and her broad brown eyes are well utilized in this film, making her character more childish, yet traditional to a definite extent. Portman proved to audiences in this film that she was no flash in the pan, and in her subsequent films, she continues to be a scene-stealer. She is truly Hollywood’s most gifted young actress.

In the international version, most of the 24 minutes that were left out in the film’s 1994 release in the U.S. mainly involves both Leon and Mathilda going on “cleaning sweeps” where she gets first hand training in the art of assassination. The other half of these minutes focuses on Mathilda’s attraction to Leon. Her persistent attempts to be intimate with Leon all fail, but we finally understand why Leon remains a loner when it comes to affairs if the heart. Some might be unhappy about the thought of Mathilda and Leon sharing a bed together, but Besson paints this scene as one piquant platonic treasure and not sex.

In wrapping up, I recommend this film for anyone who enjoys a nonstop, high-impact thriller in the same tradition as the “Matrix,” “Blade,” or “Plain Detached”. Luc Besson truly is one of the world’s greatest action directors, and “Leon” captures his magic. An proper, pulstaing film from beginning to raze!
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