The multiple chords struck by Carrol Ballard’s heartbreaking work “Fly Away Home” are so universal, it is difficult to imagine a person of any gender or any age not being touched in some way by this genuine family film. Make no doubt, “Fly Away Home” is a true classic, timeless in beauty yet timely in theme. So many subjects are tackled, from estranged family dynamics to environmental messages, it is difficult to fully grasp this film’s important impact from just one viewing. Each time I view this movie, I come away with new ideas, and a new hope for our common man and woman.
Film director Carrol Ballard has achieved such lofty heights before with his debut film “The Black Stallion” and his stunning follow-up “Never Cry Wolf.” Amazingly, he has once again climbed to the top of a very high mountain with “Fly Away Home.” The story is anything but simple, but its a tale of a mother, lost in a car accident, thereby forcing the reunion of a daughter and estranged father. He’s an eccentric Canadian, living in the country, working on multiple sculptures and experimenting with flying machines. She’s a lost soul, seemingly homeless without the guidance of her late mother. Yes, father (Jeff Daniels) and daughter (Anna Paquin) bond, but it’s due to the nature which surrounds their rural homestead. In this case, an orphaned flock of geese Paquin raises from birth after the destruction of their natural habitat by encroaching development.
Paquin’s character becomes a surrogate mother for these geese, and eventually she must learn to fly to enable the lost birds to travel south for the winter. Daniels accompanies his daughter out of love, and eventually understanding that this has become a rite of passage for his budding, maturing teenage girl. And somewhere along the way, a girl becomes a woman, and a father becomes a man.
Much of the credit for “Fly Away Home” goes to the brilliant cinematographer Caleb Deschanel, who also worked with Ballard on “The Black Stallion” and “Never Cry Wolf.” Certainly the musical selection of Mary Chapin Carpenter’s haunting “10,000 Miles” is an inspirational if not brilliant choice. But the story is the key, and during a time of changing family dynamics amidst a society of shrinking nature, I can’t imagine a film utilizing both themes with such skilled and relevant ease.
“Fly Away Home” is such an important film, not only because a female protagonist breaks away from traditional bonds to find herself (no boy and his dog here), but because a self-centered man/father overcomes his weaknesses to find not only himself, but the person/daughter/child who defines his soul. “Fly Away Home” is about us finding our spirit during a trying time of divorce and misguided independent values. By bonding with the land, and as importantly with our family, we find our true spirit.
And finally, “Fly Away Home” will bring a tear to the most hardened spirit, causing us to hug the ones we love, human or animal. Is that not the purpose of art – film, book, music or otherwise? I have applauded Carroll Ballard before. After “Fly Away Home,” I not only applaud this extraordinarily gifted director, I salute him.
There’s not a bad character in this movie, except for the animal control official who persists in locking up the geese. And Anna Paquin just keeps getting better and better and better. She’s definitely a child actress who will NOT fade away as she matures.
Story (inspired by an autobiography) is based on a girl who, recently left motherless, is shopped to live with the eccentric dad (Jeff Daniels) she hasn’t seen in years. And then she becomes surrogate mother to a flock of motherless goslings who insist on growing up into a flock of geese. Comes time for them to migrate south, and they won’t go. The rest of the movie is the harebrained scheme of how the geese are taught to follow `Mom’ in an ultralight. Beautifully and astonishingly photographed, this movie is an all around delight, a coming-of-age, a father-daughter bonding, a feel good story that is way more than the sum of its parts.
Ya gotta see it.
