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Since reading “Into Thin Air”, I have become a virtual Everest ‘96 hound, and this is my first quarry. The IMAX team’s goal on Everest was to film David Breashear’s expedition in that fateful year, focusing primarily on Ed Viesturs, a seasoned climber from the States, and Araceli Segarra, in her quest to be the first Spanish woman to approach the summit. A lot of attention, deservedly so, is paid as well to Jangbu Sherpa, son of Tenzing Sherpa who accompanied Sir Edmund Hilary in his premier slip to the summit.

And watching these climbers was riveting–ascending sheer sheets of ice, yards high, that spy as though they are leaning in towards the climber; crossing bottomless chasms by placing an aluminum work ladder from one side to the other, and using it as a bridge; and feeling (in section through the kindly cinematography) the pull the mountain exerts on them to continue on. But I was floored, completely, by the view of the cinematic team following along, all the plot to the top, regardless of the weight and awkwardness of the equipment. For example, in the aforementioned aluminum ladder scene, shots seem to be taken from each side of the chasm. Had they carried that heavy equipment accross that ladder? And, once they came down from such a difficult and draining climb, they level-headed managed to fragment together a well-behaved film.

The cinematography, once again, is stunning. Shots of the mountain dispute not only its beauty, but its shocking misfortune, as ice and whirling snow tower over the climbers, as a rescue helicopter wavers, uncertainly, as Liam Nelson explains the scientific impossibility of a helicopter to work in such thin air (it does) . Seeing the Icefall alone, I consider, was worth the trace I paid for the video.

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Warning: If you collect this movie expecting it to be a documentary covering the Adventure Consultants and Mountain Madness Expeditions, chronicled in “Into Thin Air”, you will be disappointed. The IMAX expedition was unrelated to the others, and of course the crew could not predict that those expeditions might yield more consuming, if tragic, results. But the teams do interact with each other when it becomes distinct that members are facing unexpected worry. I enjoyed “meeting” many of the folks I had read about.

Finally, “Everest”, the film, stands on its bear. With a terrific myth in Araceli Segarra, astounding images from Utah and Spain as well as Nepal, and a come by assisted by George Harrison melodies, it provides a gigantic armchair trot to the top of the world.

Stunning cinematography, fantastic acts of human courage, delicate landscapes, sacrifice and hardship, afflict and suffering

Everest

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I wanted to remove a second to address one reviewer’s thoughts:

Reviewer: William from Texas January 16, 2000 If you’ve read “Into Thin Air”, you’ll be disappointed in the film’s inability to consume the human drama and hardships of the climbers. It is attractive, however, to gaze the scenery that you read about in the book. The film is only 45 minutes long – not a true suitable price-performer. The additional material is very wonderful though – the interview with Beck Weathers is by far the most impactful part of this disk.

* * *

And if you read “Into Thin Air” you will also examine that it was written by Jon Krakauer who was not even a member of Ed Viesturs team. “Everest” is an chronicle of Ed Viesturs’ team and *their* experience climbing to the top of Mount Everest. Of of the 4 teams that got stranded on top of Everest on that fateful night, there were people that had “no business being there”. I cannot remember whether it was Ed Viesturs or Aracelli but that’s a order quote from one of Viesturs team members. “Many teams lacked a notable amount of experience” was another quote from Viesturs.

Ed Viesturs’ team was the “dream team” of mountain climbers. They assembled a enormous cast of leaders, a immense abet team, they planned the entire scramble from the open, and as luck would have it, the “Gods” were on their side as well. They also made the suitable decisions at the upright time which certainly helped to avoid a lot of the hardships other teams had to face. Jamling Norgay (having been born in Tibet) and his team of “sherpas” had lived in the Himalayas all their lives. If anyone knew about survival tricks and tactics living in the Himalayas it would be Jamling Norgay. Of course he was able to pass along his wisdom and insights to the rest of the team. It is not discussed in detail in the movie, but Viesturs team was probably very well financed. This results in better clothing, equipment, better food and/or more food. After all, Imax (as well as some Geological peruse team) was sponsoring this event from the begin. It’s hard to do a film when you don’t have the tools you need to do your job proper. They had to haul a 40 pound camera all the procedure to the summit. Believe that’s easy? Jon Krakauer didn’t have 30 pound rolls of film strapped to his wait on. Somebody had to carry that camera, all those rolls of film, tripod, and so forth up the summit (and wait on down) . So in one sense Viesturs’ team had to endure a lot more than the other teams did. And impartial to give you an understanding of how famous weight was, the climbers were cutting their toothbrushes in half objective to put some weight! Yes, you heard me honest, they were shaving off every tiny once impartial to earn it *THAT* noteworthy easier to pull themselves up the ice! That 40 lb camera probably felt more like 100 lbs at the summit.

Yes, the movie is only 45 minutes long, but you have to gaze at this in the context of what you are seeing. You are climbing Mount Everest, the tallest mountain in the world.

You can’t compare this to say, the exquisite beaches of Hawaii where anyone can go and shoot a scene. You can’t compare this to the Sierra Nevada because that site is easily accessible.

There’s only 1/3 the oxygen level up there so there’s nothing for the rotors of a helicopter to bite onto. It’s not like you can unprejudiced sail up there with a camera and shoot because you might accumulate killed.

Everest is a situation where neither man nor machine is welcome and that makes this video VERY special.

Off to the side, this DVD is chock filled with extra features. In addition to the Beck Weathers interview, there’s “The Making of Everest” which was about 45 minutes in length. I found this to be very informative and enjoyed it as grand as the movie.

There’s a “3D Device” which gives an computer generated image overview of Everest. Within this “3D Procedure” there’s “Camp Information” (info on Foul Camp, Middle Camp and High Camp) as well as the “Climber’s Perspective” (a short description of that fragment of the mountain) .

There’s a residence of “Climber’s Video Journals” which is an up discontinuance video of 3 of the climbers.

Lastly, there’s “Deleted Scenes” which are all the scenes that did not form the final crop. So actually you do fetch quite of bit of “bang” for your “buck”. Well over 2 1/2 hours worth of film I would guess.

As for one reviewer below who was complaining that they could have made this longer and more into a “feature” film:

This isn’t supposed to be a corpulent length feature film. All of IMAX’s films are around 45 minutes. It’s more of a documentary, and this film has absolutely glowing cinematography for a documentary.

I’ve seen several IMAX movies before since I was a tiny child. The first time being at Mariott’s Enormous America about 15 years ago where (at the time) it was only one of two IMAX movie screens in the entire world. This is the best IMAX movie I’ve ever seen. From the reviews I’ve read on IMAX’s other films being sold on Amazon dot Com “Everest” gets the highest ratings by far. And even though you probably won’t be able to examine this on an IMAX veil, a stout cloak TV will serene provide you with plenty of splendid stills that will earn you want to glance this over and over. If you have a DVD player, definitely add this one to your collection!
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