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Incredible cinematography that conveys and reflects a fraction that all of us posses or at the very least dream about. It is portrayed to such an extent that we feel exactly like the main character, however improper she may be. Filmed in 1949, it is suprising that such a recent was able to be made into a movie at a time of strict censorship without destroying and conveying even more the message the author intended for the reader. Jenifer Jones portrays the main role disturbingly beatiful and relatable to the veiwers in such a arrangement that we feel exactly how or what she feels, suffers, and deludes herself as. When I first veiwed it 12 years ago, it affercted me so great so that I had to veiw the movie, or at least clear scenes almost everyday such as the piece when she meets Louie Jordan in her husbands office.The reaction on her face to the meeting is so impressive that you know exactly what she is thinking even as she remains mute.The Vaubyessard ball is a spectacular one s! hot sequence that summarizes the whole book in that one scean. Without even having read the book you accumulate a very positive record of what the sage conveys and intends even if the movie does not at times chime in with the sequence of events in the book. A five star rating for the movie and Miss Jones for an incredibly relatable portrayal. A must read and must survey movie for those who may want to spy a share of themselves that does exist in all of us. END
“Madame Bovary” is one of those rare films that only gets better with age; with each viewing, one notices unusual elements to enjoy. Vincente Minelli crafted a perfectly literate interpretation of Gustave Flaubert’s renowned recent. The following is a breakdown of the unifying elements which compose “Madame Bovary” so spectacular:
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DIRECTION: Minelli’s alive to discover for composing unforgettable scenes is perfectly realized with “Madame Bovary”. The ballroom sequence, with its dizzying 360 degree camera angles, is an exasperating metaphor of Emma Bovary’s existence and serves as a symbolic foreshadowing of what is to become of her. C’est magnifique!
SCREENPLAY:Robert Ardrey’s screenplay is deftly paced and packed tubby of poignant dialogue.
CINEMATOGRAPHY: As mentioned earlier, the ballroom sequence is amazing-perhaps the most intricate and inspired of its kind in cinematic history. Robert Planck’s fretful dim & white photography form it all possible. Planck captures Emma at the height of all her fantasies–gazing upward at her reflection, being adored and adulated by throngs of male suitors, in an ornate mirror hanging on the ceiling–brilliant composition!!!
ART & Region DIRECTION: All of the Rococco and Baroque grandeur of 1850s France is expertly represented in “Madame Bovary”.
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COSTUME DESIGN: Costume designer, Walter Plunkett, also known for his Academy Award winning work in “Gone With the Wind”, created costumes for Jennifer Jones which rival his masterpieces for Vivien Leigh. Plunkett complimented Jones saying, “She has glowing shoulders like Vivien Leigh”, and further complimented her in the film by designing a show-stopping ball gown that emphasized her “radiant shoulders”, to say the least. Yards and yards of white toulle give the impression of Jennifer Jones, with her perfect posture and comely carriage, gliding and floating across the ballroom like a cloud.
MUSICAL SCORE: Most film historians agree that the regain for “Madame Bovary” is one of Miklos Rosza’s greatest. “The Madame Bovary Waltz” is haunting, energetic, restless-completely representative of Emma Bovary.
PERFORMANCES:Jennifer Jones delivers a reliable, emotive performance as Emma Bovary-moments of hysterical melodrama are balanced with poignantly relevant “underacting”, such as the unforgettable scene when Emma returns home to her mad husband, Charles after having ingested arsenic. Jones perfectly conveys the gravity of what Emma has done to herself and to the people in her life. She kisses her estranged daughter for the last time. She responds to Charles’ accusations, simply, “Don’t dislike me now, Charles.” This is what “character acting” is all about!! Jennifer Jones is in tune with Emma Bovary, from her self-destructive, neurotic drive towards melodrama to her shaded, painful death. For her radiant achievement, Jones was awarded the French equivalent of the Academy Awards for Best Foreign Film Actress in 1949. Who better to mediate one of the greatest French literary heroines than the French themselves?
The Actors: Van Heflin is totally believable as Charles Bovary. Louis Jourdan is perfect as Rodolphe, and makes a graceful match to Jennifer Jones. James Mason is thoughtful and earnest as the grand author, Gustave Flaubert, who also serves as the narrator.
CONCLUSION: “Madame Bovary” is a much achievement in filmmaking. Its longevity has been established, due in share to the cohesive elements listed above. Consume mark to all of these elements when you search for the film-it will be a worthy more illuminating and satisfying experience.









