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Les Misérables – 1998 film version – formal review
This newest film version of Les Misérables presents this classic narrative as the titanic sweeping fable that it is, yet diverges from the modern account, leaving considerable to be desired. Fans of Victor Hugo’s beloved unique, published in 1862, and of the well-liked musical, produced in 1985, may be disappointed in this movie’s truncated version of the epic. However, the film manages to preserve intact the main themes of Hugo’s fable of admire, mercy, and redemption.
As a movie in its beget fair, this film deserves the highest praise. As historical drama it is of the highest quality. The movie portrays Jean Valjean as a legal hero, a person whom we can love because of his courage and self-sacrificing commitment to godly principle. The acting is pleasurable — Liam Neeson and Geoffrey Urge star as Jean Valjean and Inspector Javert, and both simply become their characters. Uma Thurman gives an exceptional performance as Fantine. The soundtrack for the film is gorgeous as well.
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However, this movie cannot be evaluated separately from the new and musical (which follows the original quite closely and has gained a wide following of devoted fans) . In terms of faithfulness to the unique epic, the film falls short. The first half of the movie follows the recent quite well; remarkable of the screenplay is taken almost directly from the book, and no essential characters or events are removed. Unfortunately, however, the first half of the movie covers less than one third of the sage. In the second half, the movie diverges widely from the new. Enthusiasts of the musical and recent will be disappointed to discover that two significant characters from the Paris setting, Enjolras and Eponine — both of whom are well-liked favorites among fans — are completely eliminated from the film, their roles given to other characters or deleted altogether. The second half of the film is mercilessly truncated and adapted.
The film’s portrayal of Cosette as a rather scandalous young woman who is always ready to pout if she doesn’t accept her diagram is inconsistent with the sweet and oblivious Cosette of Hugo’s fresh. The character of Javert, the obsessed policeman who hounds Jean Valjean, is also altered — perhaps more subtly — to form him out as the unfriendly villain of the epic, when in the new and musical he is more complex and less of a villain. The other characters, however, are faithfully portrayed in the film.
Even in the second half, the movie does shine at times. The depiction of Jean Valjean continues to be shining (except for one scene in which he slaps Cosette and then reveals his past to her, both actions in complete inconsistency with his character according to Hugo) . The last fifteen minutes of the film do represent well the distinguished universal theme of Justice versus Mercy. However, the movie curtails the unique epic, robbing it of a trustworthy deal of its poignancy.
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Altogether, though, the film manages to sustain the main themes and characters of the current unusual. It serves as a expedient introduction to the epic. It should inspire viewers to read the unusual book and listen to the musical as well!
This is a advantageous movie. I mean, not badly cast. Lovingly done. The acting is colossal. Yeah, you should like it. Assuming you know absolutely nothing about Victor Hugo’s modern narrative. The truth is, if I didn’t know better, I’d say whoever wrote the script never read Hugo’s masterpiece and based it completely on the 1935 version. Approach to consider of it, I don’t know better. That’s probably exactly what happened.
I never concept I’d say this, but I am so blissful Hugo didn’t have to live to witness this movie.
If you’ve read the book, you will disapprove this film. TRUST me. The status, especially toward the extinguish, is mercilessly butchered and rewritten. At some points it becomes utterly unrecognizable. Many of the revisions completely miss or even slay the essence of characters, and some do not even create sense, the movie ending with Jean Valjean overjoyed over the death of Javet, whose life he has made an huge sacrifice to establish.
Likewise, Javert would never attack Cosette; he was obsessively professional, not cruel. Nor would slay his life (with minimal explanation, no less) in front of Valjean. Marius would NEVER act like Enjolras (oh, I forgot, there IS no Enjolras) . Neither Marius NOR Enjolras would smile at remarks about making like to Cosette, so I regain it hard to bear that some mutant hybrid Marjolras would. Cosette would never mediate leaving Marius, her soulmate, to end with Valjean, her adoptive father. And above all, Jean Valjean would NEVER, EVER topple in like with Fantine. The mere suggestion of this limits the portrayal of his charity to people he takes a special interest in.
Small variations are to be expected in any film adaptation of a book, but these all completely distort characters. The people who made this movie may have gotten the message (admire, charity, etc.), but they missed the point.
If you’ve never read the book, sight this movie. It is touching and carries a favorable message.
But it is not Les Misérables.









