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Stream The Sergio Leone Anthology Movie Online.
Movie Title: The Sergio Leone Anthology The Sergio Leone Anthology is available for streaming or downloading. |
Prepared for release in 2005 we’ve only had to wait two years for this deluxe reissue of three of the four Leone films included here. For those that want to know this box plot has a 32 page booklet with credits and essays on the films but no postcards like the novel release of “The Suited, The Abominable and The Ghastly”. If you want the collectable version, I insist you’ll have to consume these individually. This situation is definitely worth picking up as it is a Mammoth improvement over all the previously released home video versions of the film. All the films eye terrific, have commentary tracks (although “The Kindly, The Dreadful and The Homely” is the actual same release as before) and mammoth featurettes/extras that were released overseas two years ago.
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“Fistful of Dollars” looks very salubrious in its recent DVD transfer lovingly restored although there is an irregular strobe like attain in one sequence. We glean a terrific commentary track from Leone scholar Sir Christopher Frayling discussing the making of the film, the delayed release in the United States (portion of which was related to Akira Kurosawa’s lawsuit. It was legit though since “Fistful” is an unauthorized remake of Kurosawa’s classic “Yojimbo” although Leone’s version of the same legend is equally compelling), how Henry Fonda and Charles Bronson (who called it one of the worst scripts he had ever read…spirited considering he later appeared in “Once Upon a Time in the West”) both turned down the lead role.
Eastwood reveals in a featurette that he wrote remarkable of his occupy dialogue for the film, made his enjoy script notes all of which contributed to truly making the role his have.
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“For a Few Dollars More” looks exceptional. Like all the films here, it is released in an anamorphic widscreen transfer that does justice to the deep, rich colors of the films. There is one scene where there appears to be some sort of scratch on the film that wasn’t corrected but otherwise the film looks pretty. We also score Eastwood again discussing the making of the film, Sir Christopher Frayling with another very superb commentary track as well as a fraction that compares three variations in the film (the sequence where Manco and Mortimer are beaten up has a slightly longer more brutal variation and we also notice the arrangement UA released the film with a brief natty that eliminated Manco’s name to tie the film into the promo campagin that UA had for “The Man with No Name”) .
“The Suitable, The Awful and the Repulsive” is exactly the same as the 2005 release on DVD correct down to the graphics on the disc. Sir Christopher Frayling did portray a commentary track for this after it was released hoping that it could be added to later editions (he wasn’t available for the unique remaster. Time critic Richard Schickel does the honors here) . The extras are exactly the same. For those that are involved this includes the 5.1 mix that had original sound effects for that mix but does not include the modern mono soundtrack in English.
“Duck You Sucker” comes in the most complete version released so far. At 157 minutes it is closest to Leone’s recent crop of the film. The film looks exceptionally suited. It’s sure that John Kirk went the extra mile to derive this good. Also, kudos to Glenn Erickson (aka DVD Savant at DVD Talk) who worked on the featurettes and started the campaign to come by these films restored and released on home video ages ago.
Again, Sir Christopher Frayling does a very estimable commentary track discussing the various versions of the film released. The soundtraack has been reprocessed for 5.1. Sergio Donati a collaborator of Leone’s discusses working on the film in a featurette and how Eli Wallach was replaced by Rod Steiger at United Artist’s insistance but that Leone never shared the information with Wallach. “Restoration Italian Style” features John Kirk who worked on this special project discusses how he went about reassembling the film for this edition. We also bag spot comparisons (this is also on the other discs as well) showing scenes from the film and how the locations search for now. “The Autry Display” is a featurette on a indicate assembled by Frayling and Estela Chung for a Leone display. Unfortunately, that happened in 2005 when this was ORIGINALLY was supposed to be released before MGM was bought by Sony throwing this and other releases into limbo. “Sorting out the Versions” uses stills, footage archaic to indicate us scenes that weren’t included in the movie.
The whole plot is assembled in a cardboard foldout box with the discs resting on top of each other. There’s a limited holder built into the location for the booklet.
Overall this is a terrific plot and an primary addition to fans of Leone’s westerns. Although it took two years to gather this released in the United States (that’s nothing compared to the delay for the second season of “Twin Peaks” for even the release of the pilot for that note in the U.S.), it was worth the wait. I’m not certain what the Blu-Ray plans are for this release yet so I went ahead and plunked down the money for the whole situation. Fans who already have “TGTBATU” may want to hold these individually although it would be more expensive than this location. MGM (and Fox which distributes all MGM titles now even though MGM is held by Sony) have done a terrific job with this status. My only complaint is that it would have been nice to have the collectable postcards that reproduced the lobby cards/posters. Highly recommended.
The word on MGM’s higly anticipated “The Sergio Leone Anthology” is good; almost nothing awful or repulsive to record. The eight-DVD area turns out to be a clone of the make, format and extras from 2004’s kindly upgrade of “The Proper, the Abominable, and the Horrible.” That DVD was so apt, in fact, MGM didn’t change a thing in transporting it into this box region, down to the liner notes construct.
All films are restored to their bulky running times (or as cessation as possible) and appear in heavenly 2:35.1 anamorphic widescreen. They all advance in English Dolby 5.1, but spy comments below.
“A Fistful of Dollars,” the first in Italian director Leone’s “Man with no name” trilogy, looks smashing — far better than you’d ask for a low-budget pic from 1964. Images and audio are dead-on. If you haven’t seen the film for a while, you’re in for some serious fun. The film holds up beautifully and young Clint Eastwood’s performance is a hoot. Quentin Tarantino calls it “the best-directed movie of all time.”
The marginally less-successful sequel “For a Few Dollars More,” with Lee Van Cleef, exhibits a sparkling amount of speckling on the otherwise decent color images. The dubbed English stereo audio option proved a abominable choice — voices wandered around the front soundstage for no apparent reason. Leone purists will be listening to the straight-shot mono on these titles, anyway. You might as well join them. [...].
In “The Salubrious, the Terrible and the Evil,” Eastwood biographer Richard Schickel does the heavy lifting in a commentary that, amazingly, runs on fumes only come the ruin of three hours. He maintains that Leone’s artistry was lost on critics of the 1960s because of the debate over the film’s violence (the Unique York Times pan was titled “The Burn, the Gouge and the Mangle”) . Leone was relatively tame by today’s standards, employing “an tremendous amount of foreplay” before the killings, as in this movie’s distinguished final shootout, Schickel remarks.
MGM’s John Kirk covers the audio restoration, a sore dwelling for Leone purists. Eastwood and Eli Wallach rerecorded their voices in 2002 for the restored scenes, which had never been dubbed. (Everyone on the production fair spoke whatever language they spoke.) Another actor stood in for the gradual Lee Van Cleef
The Anthology also includes the DVD debut of “Duck, You Sucker,” a holy grail title for fans. This is the Italian slice of the 1972 Mexican adventure starring Rod Steiger and James Coburn, running at its corpulent length of almost 3 hours.
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